To help you choose, we decided to list first of all the technical factors to consider before purchasing the best camera lenses for your needs, and then continue with a purchase guide, in which we will insert the best models for every most famous brand.
The lens is one of the main components in cameras. Because the camera body is indeed an essential element for taking quality photographs, but the lens is equally so and, in some conditions.
It can be even more important than the camera itself: it is precisely through the lens that the light enters. It arrives in the sensor, and a poor quality lens is likely to compromise the result of the shot significantly. Here we will be listing the top 10 best camera lens.
- Constant f 2.8 Maximum Aperture throughout Entire Zoom Range.
- Canon’s Air Sphere Coating (ASC) Minimizes Ghosting and Flare.
- Optical Image Stabilization at up to 3.5 Stops of Shake Correction.
- Fluorine Coating on Front and Rear Elements to Help Reduce Smears and Fingerprints.
- Highly Resistant to Dust and Water, and Improved Durability Even in Harsh Conditions. Inner Focusing System with Ring Ultrasonic...
- Ultra wide angle 16mm lens
- Focal Length: 16mm, Minimum Focusing Distance : 7.9 inches (0.2m)
- Large f/2.0 aperture for low light photography and night street shooting
- Designed for cameras with cropped APS-C image sensors, Includes Removable lens hood and takes 77mm filters
- Available for Canon EOS, Nikon, Sony Alpha, Pentax, Micro 4/3, Sony E-Mount, Canon M, Fuji X, and Samsung NX
- Full frame compatible with an 18.8 degree angle of view on full frame cameras and a 12.4 angle of view on APS-C cameras
- Rokinon Ultra Multi-Coated (UMC) Optics
- Minimum Focusing Distance of 2.6 ft. with fast apertures of f2.0 - f22
- Features 9 diaphragm blades and includes a removable lens hood
- Includes lens pouch, front and rear lens caps, removable lens hood and 1 year Rokinon warranty
- 30.4 MP full-frame CMOS sensor for versatile shooting. Aspect ratio 3:2
- Up to 7.0 frames per second continuous shooting speed
- 61-point AF system with 41 cross-points for expanded vertical coverage
- Providing approximately 12 stops of dynamic range, even in low light
- 4K video recording at 30p or 24p and in-Camera still frame grab of 8.8MP images. Weight: Approx. 31.39 ounce, 890 gram (Including...
- SONY EMOUNT LENS: 35mm full frame format, instant auto / manual focus selection, focus hold button. The minimum focus distance is...
- NATURAL, LIFELIKE IMAGERY: ED and Super ED glass elements deliver breathtaking texture and detail
- REDUCED ABERRATION: Two aspherical elements and an extremely precise XA element maximize resolution
- 9 BLADE APERTURE: SEL2470GM lenses have a 9 blade circular aperture for a gorgeous book effect
- NANO AR COATING: Allows for accurate light transmission to improve clarity, contrast and quality
- 150-600mm F5-6.3 DG OS HSM / C
- Minimum focusing distance : 280 cm/110.2 inches, focal length :150-600mm. Diaphragm blades: 9
- First hyper-telephoto zoom from the Contemporary line, Dust proof and splash proof mount95mm filter
- Lightweight & compact in construction for higher usability.SIGMA TELE CONVERTER TC-1401 and TC-2001 are dedicated to Tele...
- Water and oil repellent coating on front glass element makes maintenance of the lens surface easier
- Compatible with the following cameras - Canon Digital EOS Rebel T1i, T2i, T3, T3i, T4i, T5, T5i, T6, T6i, T6s, T7, T7i, T7s, T8i,...
- High-power 420MM-800MM telephoto focal length
- Includes T-mount adapter for digital and 35mm Canon EOS SLR cameras
- High index, low-dispersion multi-coated optical glass to reduce flare
- 2X Teleconverter doubles the power of your lens to 1600mm
- 60mm F2.4 Macro Lens (90mm Equivalent)
- 10 Elements in 8 Groups (Inc. 1 Asph. Element & 1 abnormal disp. element)
- Angle of view - 26.6 Degrees
- Filter Size 39mm
- Wide F1.8 maximum aperture enables beautiful defocusing effects
- 9-Blade circular aperture creates beautiful round defocused bokeh
- ED glass element for corner-to-corner sharpness
- Double Linear motor system for fast, quiet and precise focusing. The maximum magnification ratio is 0.13 and the angle of view is...
- Direct control w/ customizable focus hold button and AF/MF switch.35 mm equivalent focal length (APS-C):127.5
- F mount lens/DX format. Picture angle with Nikon DX format 44 degree
- 52.5 millimeter (35-millimeter equivalent). Rear focusing; Manual focus override
- Aperture range: F/1.8 to 22; Dimensions(approx.) 70 x 52.5 millimeter
- Silent wave motor AF system. Accepts filter type is screw on. Lens construction: 8 elements in 6 groups
- Compatible formats is dx and fx in dx crop mode. Maximum reproduction ratio: 0.16x
Buying Guide to Select the Best Camera Lens
Factors to Consider when Choosing a Camera Lens
We begin to get into the technician and talk about all the technical features to consider before buying the best camera lens. As you will soon see, these are very technical differences, which make or not a particular lens suitable for certain types of shooting.
Fixed and Zoom
The first consideration to make before buying is to understand if you need a fixed lens or a zoom. Starting with the assumption that the zoom lenses are much more dynamic, especially for the less experienced.
It is essential always to remember that the fixed focal length lenses are suitable mainly for a specific type of photo, because just as the name implies they do not allow you to change the magnification factor of the frame, with the advantage of being generally brighter.
The zoom lenses, on the other hand, allow the operator to approach the framed subject or not with a simple rotation of a ring, with the price of an image quality generally lower than that of the fixed ones, at the same price.
In short, with zooms, it is like having different lenses in one that has greater structural complexity and therefore a lower price/quality ratio.
Focal length refers to the distance between the sensor and the centre of the lens used. It is a crucial and very technical factor, which distinguishes the quality of the various types of lenses and which is expressed in millimetres.
It is one of the characteristics to be taken into consideration before purchasing a particular lens because it characterizes its quality and photographic performance.
The term aperture means the maximum possible aperture at the lens diaphragm at its maximum focal length. It is a value that is measured in F-stop, and that you will surely have heard in the world of smartphones: for example f / 1.4, f / 1.8 and so on.
It is the most decisive factor in evaluating the brightness of a given objective but remembers well, the relationship between intelligence and aperture is inversely proportional.
In a nutshell, a smaller number corresponds to brighter lenses that manage to capture good quality images even in low light conditions.
Furthermore, the aperture is one of the factors that make photos with the background blurred better, and in some zoom lenses there are two aperture values: when you increase the zoom factor, the brightness captured decreases proportionally.
It is the minimum distance that must be between a lens and the subject framed, for the focusing system to do its job. This particular value depends very much on the characteristics we have just talked about and varies between objective and objective.
In general, however, in the “standard” lenses, i.e. in the 18-55 mm zoom range, the average focusing distance is around 30 cm.
As the term implies, stabilization is a feature that serves to make the shot more stable and eliminates the micro-vibrations due to the photographer’s hand. It is an essential feature when you want to take a photo with a large zoom level, or when you want to capture something in low light conditions.
The most effective stabilization systems can earn up to 4 stops but are a feature that, together with the opening, raises the price of the product a lot.
Types of Camera Lenses
Based on the characteristics we have mentioned, different types of objectives are defined in the market, and it is precisely based on these that it will be necessary to make your choice, being careful not to make mistakes.
Standard lenses are defined as those that have a focal length equal to the diagonal of the format used. The peculiarity of these types of objectives is to reproduce everything that is framed with the same proportions that would be obtained with the natural vision of the human eye.
It is the only type of lens capable of avoiding the three-dimensional disproportion of the planes and which can offer the most realistic reproduction of the scene possible.
Telephoto or Zoom Lenses
In these objectives, the focal length is very high, which translates into the ability to enlarge even the most distant subjects.
They are perfect for nature photography or sports photography with fishing cameras, precisely because they can perform a real zoom of the image. Still, the best ones are not only costly but going beyond 300mm, and they become heavy enough to require a tripod to use them.
Opposed to telephoto lenses, the wide-angle lenses have an abridged focal length and are perfect for shooting in small spaces, or for taking beautiful panoramic photos.
Generally, any lens with a focal length (depending on the format) of less than 35 millimetres is defined as wide-angle, and the more powerful ones (such as Fish eyes) allow very creative photographic compositions and avoid the microcosm thanks to the shorter exposure time required.
This type of lenses is the one that generally costs the most because they are covered with long focal lengths and have a minimal minimum focusing distance.
They are ideal for zooming in on tiny subjects in great detail and are used both for shooting objects and for naturistic photographs. Given their nature, however, a tripod is often required with these lenses, unless you have a firm hand.